Classic Horror Flicks on Sundays

 ...What more could you ask for?


We thought we were just taking ourselves to a matinee viewing of The Shining at one of Toronto’s repertory cinemas on Roncesvalles, which in and of itself is a real treat (cute and cozy theatre meets suspense masterpiece).

But we got a whole lot more. After two hours of witnessing Jack Nicholson’s descent into madness on scratchy red-toned 35mm film print, we were treated to a Skype-facilitated Q & A with retired steadicam inventor and operator, Garrett Brown. Incredibly personable and humble, Garrett took the time to speak at length, to these lucky audience members in this small Toronto theatre, about camera work during the making of The Shining, Kubrick, and thoughts on what you need to do in order get ahead in life. 

According to Garrett...  
If you want to go into film, you need no formal education. Everything that Garrett learned about film was by spending countless hours at the Public library in Philadelphia. 

The steadicam shot that took the longest to complete in The Shining was Jack chasing Danny in the maze. Apparently the crew were in the maze shooting this for months. The snow- not real. The maze- actually indoors. 

The use of the steadicam in the following well-known shot involved Garrett kneeling over a wheelchair with a microphone attached to the end of the camera.The crewman pushing the wheelchair, according to Garrett, wasn't too fit, but had to run really fast to keep up with Danny on the big-wheel bike: 

Keep an eye on The Revue's schedule. Movies are only $10 and $8 with a membership. Last month we attended their Silent Sundays' screening of Buster Keaton’s The General, accompanied by live piano, which was a total delight. It’s perfect Sunday activity...Especially since the Drive-in in Oakville is closed for the winter.

S.